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Posts Tagged ‘Dominique Le Roux’

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Above: Two woman await a tram in a shelter advertising an exhibition of Richard Avedon pictures which was on at the Foam_Fotografiemuseum in Amsterdam while we were there.

In February I was in Holland, together with our Product Manager, Ian Blackburn, and Media Manager, Dominique Le Roux, to work on a joint project with four Dutch organisations, World Press Photo, FreeVoice, lokaalmondiaal and the Tropen Museum. What has brought our five organisations together is a very exciting project centred around the 2010 Fifa World Cup. Together, the five organisations, headed by World Press Photo and FreeVoice, have been awarded over €2.2 million by the Dutch Postcode Lottery to carry out the project.

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Above: Africa Media Online’s Media Manager, Dominique Le Roux (left), together with colleagues from Dutch partner, lokaalmondiaal at a pub in Arnhem, a town outside Amsterdam, Holland.

The aim of the project is to bring an African perspective to the reporting on the soccer World Cup, which will be held in Africa for the first time in history – in South Africa in June and July 2010. In the latter half of this year (2009) World Press Photo and FreeVoice will be training photojournalists, radio journalists, and text journalists at a number of venues around the continent. The journalists will then report from their various nations on the lead up to the event and that content will be distributed by Africa Media Online to African and global publishers. It will also be published on lokaalmondiaal’s web site for the Dutch Public. The best of the content will also be curated to form part of a major exhibition in the main exhibition hall at the Tropen Museum in Amsterdam which will be launched just before the staging of the World Cup itself.

Then in 2010, the best of the qualifying journalists will be invited to South Africa where they will cover the 2010 Fifa World Cup on the ground. There will be three teams, two based in Gauteng province but traveling to the games, and one traveling down the coast to finish up in Cape Town at the semi-final due to be held there. The teams will not just be reporting on sports, but rather on every aspect of life that is impacted in any way by the soccer fantasia.

Throughout, Africa Media Online will be distributing the content to publications all over Africa and the World. As part of this we will have created the application web site and upgraded our MEMAT system to facilitate seamless distribution.

After the event, a select group of photographers will qualify for the 2010 African Photo Entrepreneur Programme to be run by Africa Media Online, and lokaalmondiaal will be putting together a book with the best of what was produced. There will also be a traveling exhibition in South Africa.
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Above: From left to right: Project Manager for the “Twenty Ten: African media on the road to 2010 (and beyond)” project, Ruth De Vries, from World Press Photo with her colleague Katusha Sol, Africa Media Online’s Media Manager, Dominique Le Roux and Product Manager, Ian Blackburn, and a representative of the Tropen Museum in Amsterdam view the main exhibition hall of the museum where the project exhibition will be staged just before the 2010 Fifa World Cup next year.

So it is all very exciting and it starts right here with you and or those you can encourage signing up to:
*Make application to be one of the journalists to cover the event (the closing date for registering to receive a username and password is 4 May 2009). If you want to be considered for APEP next year, please sign up to participate in this project.
*Sign Up to receive information about the project and, if you are an African publication out side of South Africa, to receive free content.

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Above: A fragment of “Cassarinas at Dawn, Maputo, Mozambique” by David Larsen, is one of the images that forms part of the IZWE de Africa exhibition that has travelled to Buenos Aires, Argentina as part of a cultural exchange programme.

Clare Louise Thomas writes to participating photographers from Buenos Aires:

So, we opened the exhibition on Thursday evening and it was a roaring success. The space looked amazing and the feedback was just magnificent. Every single one (I love this) of the photographers were singled out as someone’s favourite and people were just thrilled to be seeing the work that was coming out of South Africa. The cultural TV channel (Canal A) came and did an interview and I made a speech about what an honour it has been to work on this project and how valuable it is for emerging South African photographers work to be getting out there.

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Africa Media Online exhibition organiser and photographer, Clare Louise Thomas being interviewed by Canal A at the opening of the “IZWE: Desde Africa” exhibition as part of the Proyecto 34˚S cultural exchange between Cape Town and Buenos Aires. PHOTO: Clare Louise Thomas

The Economic, Political and Cultural Counceller from the South African Embassy Vicor Rambau was there and showed great interest in the exhibition. I will be meeting with him next week to see what future possibilities may hold, as well as with the director of the Borges. Marta Camponara is a well respected African Art Collector here who is touring her exhibition of African sculptures around Argentina and we are looking into our exhibition travelling with hers… The options are looking good, but even if it just stays as is where it is now. it is a great thing. The pictures look incredible and as a collection really work wonderfully together. I can’t wait till we can bring it back home and show the people there… 🙂

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Members of the public browse the exhibition at the opening in the prestigious Centro Cultural Borges in Buenos Aires, Argentina. PHOTO: Clare Louise Thomas

Watch the media for information about the exhibition as it filters out bit by bit. The Cape Argus featured something this weekend with their own selection of photos and quotes from the information provided. So check that out and I will keep you updated on more as it happens.

Again, congratulations. I am so thrilled at the outcome of this experience.

Clare in Buenos Aires
(Africa Media Online)

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Last night saw the opening of the IZWE de Africa exhibition featuring the works of South African photographers in a prestigious venue in Buenos Aires, Argentina. A collaboration between Africa Media Online and Proyecto 34°S, this six-week exhibition provides a mix of emerging and established photographers with the chance to share their views on Contemporary African Culture.

Proyecto 34°S is an artistic exchange between Buenos Aires, Argentina, and Cape Town, South Africa. Its primary objective is to promote and facilitate the exchange of African and Latin American performing arts, culture, heritage and literature. Curated by Nadia Strier, the Izwe de Africa exhibition features as part of the South African Embassy’s heritage showcase at the Centro Cultural Borges, as well as online at Africa Media Online, where buyers will be able to select and purchase art prints.

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Above: Jeremy Jowell’s image of Seychellois fishermen is one of 23 photographs by Africa Media Online photographers featuring in a prestigious exhibition in Argentina which also serves to launch our new print-on-demand service

Each of the photographers was asked to describe how their photographs reflect their views on the theme. Tammy Gardner, whose image is of a young man striding with his briefcase before the crumbling façade of The Empire building in Muizenberg, on the False Bay coastline, sums up the overall tone of the exhibition in her commentary:

“The obvious statement of crumbling Empire in Africa, the dilapidated building still showing its beautiful design form, the optimistic morning light, the purposeful stride of the black man with his shabby clothes and briefcase. A perfect metaphor for the complexities of African life as we know it today – not so shiny, not so picture perfect, but hopeful, working with what we have.”

Africa Media Online is a South African organization that specializes in giving African photographers a voice and an opportunity to compete on equal footing in international markets. “A balanced view of Africa and her rich heritage cannot exist unless we as Africans are able to consistently tell Africa’s story from our perspective in the global information economy,” explains David Larsen, Director of Africa Media Online.

Larsen refers to Africa Media Online’s role as the provision of a ‘digital trade route’ – this includes training, the provision of online systems and an image library that markets content directly to editors and publishers, curators and art directors around the world. Now this exhibition launches yet another platform that the company will be providing: the opportunity for international buyers to select African images online and have art prints delivered to their door.

The exhibiting photographers are:
Sean Wilson, Marinda Louw, Kim Thunder, Christine Nesbitt, Simone Scholtz, David Larsen, Jeremy Jowell, Karin Duthie, Craig Urquhart, Chris Kirchhoff, Nikki Rixon, Tammy Gardner, Clare Louise Thomas and Toni Jade Efune.

Six of these fourteen photographers were a part of the African Photo Entrepreneur Programme run by Africa Media Online in 2008, which was focused on growing photo entrepreneurs to compete on the global stage in terms of photo production and market savvy.

Right Click to download PDF slide show of the exhibition

For further information please contact the Media Manager, Dominique le Roux: +27 21 788 6261 or +27 82 823 0460 dominique@africamediaonline.com

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Above: Dusk over Cape Town with the mountain on the left and Lion’s Head on the right. The 72nd South African Museums Association national conference was held in the last week of June at a venue close to this view.

Welcome to the sixth edition of the Digital Picture Library Manager blog designed to add value to the management of your picture and media collections as well as to keep you up to date with developments at Africa Media Online and the world of digital imaging that could be of benefit you.
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URGENT MATTERS:
A. The early bird offer for this year’s Digital Masterclasses ends Monday June 30. Further information and booking forms can be found at this link: Digital Campus
B. The closing date for applications for the African Photo Entrepreneur Programme is Monday June 30. Further information can be found at this link: African Photo Entrepreneur Programme
C. The first intake for 70% funding for digitisation under the African Image Pipeline project ends Monday June 30.For further information please visit this link: Grant Funding for Digitisation of Image Collections
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In this edition:

1. World Expert in Digital Asset Management to Teach at August Masterclasses
2. Sacred and Secret: Pictures of the 72nd South African Museum’s Association national conference
3. Eminent International Panel of Judges for the African Photo Entrepreneur Programme
4. Dominique Le Roux, Media Manager
5. The Tragedy of Xenophobia in South Africa

1. World Expert in Digital Asset Management to Teach at August Masterclasses

World authority on digital asset management, Peter Krogh, will be teaching in South Africa for the first time in August

Celebrated author of The DAM Book (The Digital Asset Management Book), Peter Krogh, has confirmed his availability for Africa Media Online’s annual digital masterclasses in August. Peter will be in South Africa to conduct a series of masterclasses in Cape Town, Johannesburg and Pietermaritzburg as part of Africa Media Online’s Digital Campus.

Not a stranger to the southern hemisphere, last year Peter conducted workshops in conjunction with the Australian Institute of Professional Photographers and Nikon Australia in Sydney, Melbourne, Brisbane and Auckland. This will, however, be the first time he will be presenting in South Africa. An alpha tester for Adobe Photoshop, last year alone Peter conducted masterclasses in conjunction with the Professional Photographers of America (PPA), the North American Nature Photography Association (NANPA), the American Society of Media Photographers (ASMP) and UK-based Association of Photographers Limited (AOP), and gave seminars at Imaging USA, the National Association of Professional Photographers’ Photoshop World, PDN’s PhotoPlus Expo and the Adobe Photoshop Lightroom Adventure.

While Peter has worked with a lot of photographic organisations, his courses are highly applicable for anyone working professionally with large numbers of image files, such as archives, graphic designers, picture libraries etc. The workshops will demystify DAM and reveal practical techniques for securing the long term storage of digital images.

“Peter is the ideal companion to Graeme Cookson,” said Africa Media Online’s director, David Larsen. “We have brought Graeme out for the past three years and his courses have been extremely well received. Graeme is brilliant at helping imaging professionals really understand what we are doing in terms of ensuring the quality of individual image files in a productive manner. I wanted to find someone who would compliment Graeme in teaching best practice in digital workflow from camera or scanner to end user. Where Graeme’s strength lies in dealing with the quality of the image files themselves, I wanted someone who specialises in the efficiency of managing hundreds, if not thousands, of image files. I met Peter at CEPIC in Florence last year at the first ever international photo metadata conference and we got chatting. I could not have found anyone better than Peter Krogh, and it is a great privilege to have him on board,” Larsen said.

“Peters knowledge on the subject is the best in the world. When it comes to DAM for photographers, Peter Krogh literally wrote the book on the subject”, said Australian professional photographer and DAM consultant Robert Edwards.

The 10% early bird discount ends on Monday June 30

Find out more and download the order form

2. Sacred and Secret Heritage: Pictures of the 72nd South African Museum’s Association national conference

South African Museums Association (SAMA) delegate, Suzette Farmer from the Simon’s Town Museum, studies a rock art display at the Iziko South African Museum during the opening event of the SAMA national conference 2008.

The South African Museums Association held its 72nd National Conference at the Stellenbosch University Business School in Cape Town in late June 2008. The conference theme was “Sacred and Secret Heritage,” and it engendered some lively debate. In his brief talk at the conference, Africa Media Online’s director, David Larsen, summed up the conference from his perspective saying, “the central question that seems to be emerging at this conference is, ‘Who has the right to represent our heritage – to tell our story?” It is the quality of empathy that, if not giving the right, then at least opens the doors to investigate sacred heritage practices and represent those practices through research findings.

Pictures of the conference will be available shortly or you can email David Larsen at editor@africamediaonline.com.

3. Eminent International Panel of Judges for the African Photo Entrepreneur Programme

Renowned photojournalist, Louise Gubb, is one of the judges deciding on suitable candidates for the African Photo Entrepreneur Programme. Louise covered South Africa’s turbulent struggle for democracy for most of the leading news magazines including Time, Newsweek, Stern and Paris Match. She has judged a number of the annual Fuji Press photography competitions in South Africa.

The African Photo Entrepreneur Programme has been given significant impetus with prominent African and international photographers and editors lending their support by sitting on the judging panel. The panel will assess the submissions of possible candidates and select the most promising for inclusion in the programme. Confirmed judges are: Julia Heinemann, Gallery Portfolio Director of LUMAS; Khanyi Dhlomo, Editor of Destiny magazine; former World Press Photo jury member and AFP Chief Photographer in South Africa, Alexander Joe; head of Getty Images multimedia, Rick Gershon; Karine Aigner, Senior Photo Editor of National Geographic Kids Magazine; and acclaimed South African photographer, Louise Gubb.

This year’s programme is aimed at encouraging historically disadvantaged and women photographers to succeed as photo entrepreneurs, granting skills, market savvy and route to markets for groups that are currently underrepresented in this sector. Successful applicants will have sponsored access to the Digital Campus and further training modules.

Applications for the African Photo Entrepreneur Programme close at the end of the day on Monday June 30

Find out more see if you qualify and make a submission to be included.

4. Dominique Le Roux, Media Manager

Dominique Le Roux, Media Manager for Africa Media Online

The Africa Media Online team has felt the impact of Dominique Le Roux over the past six months. Dominique joined the team in January and has brought 17 years of media experience – as a writer, magazine editor, book publisher, web content manager, television presenter and photographic agent. As Media Manager, Dominique brings an eye for markets and clear strategy on how to access and make the most of them. Dominique is based in Cape Town but travels a fair amount to the other centres. She recently represented Africa Media Online at the Tourism Indaba and at the International Media Forum SA. Email Dominique on dominique@africamediaonline.com.

5. The Tragedy of Xenophobia in South Africa

South Africa Why are You Doing this to Us: More than a month after being displaced by xenophobic violence, refugees camp on the pavement in central Cape Town with little more than plastic bags to keep out the Cape winter chill. Ironically the place where they have taken up residence is across the street from the District Six Museum, a landmark of the infamous District Six forced removals of the 1960s. These refugees have had to endure the same kind of brutality at the hands of many who once endured such hardships themselves under apartheid. Many of these refugees have survived war in their own nations and had come to South Africa to find a place of peace and prosperity. That dream was shattered last month with the outbreak of xenophobic violence.

When my youngest daughter was presented to our community early last year, blessings were spoken over her in eleven languages including, Zulu (South Africa), Shona (Zimbabwe), Xhosa (South Africa), Kiswahili (East and Central Africa), Kirundi (Burundi), Ndebele (Zimbabwe), English (International), French (International) Afrikaans (South Africa), and Lingala (Congo DRC). For me this was a wonderful picture of the richness of post-apartheid South Africa, which not only emerged out of the cultural prison of apartheid, but has been reintegrated into the African continental community.

There is no doubt that the xenophobic violence which swept South Africa last month was a shocking denigration of all that the new South Africa, the miracle nation stands for. How did our people come to turn on those very nations that gave up so much on our behalf in assisting us in our struggle for liberation? How is it that we have moved so far from the bright vision of a united Africa provided for us by Nkruma and Nyerere, Luthuli and Mandela? On June 2, 2008 I wrote the following to those who receive our africanpictures.net newsletter:

“The past few weeks have witnessed a great tragedy in the history of South Africa. Once again the grotesque spectre of apartheid has emerged from the shadows to haunt our public life. Its target may be different, but its stench is the same. It is the same stale justification of why one group needs to hoard opportunity and resources at the expense of another, the same bigotry that forcefully removes people from their homes and has women and children cowering in places of safety, has bodies burning in the streets, has lives scarred for decades by reckless violence, the same discrimination that treats those different from oneself as sub-human, as somehow not worthy of the privileges we demand for ourselves. The lies are the same, the justifications are familiar, the fear and anguish are alike. As too are the vulgar names the powerful call the powerless!

In a matter of days nightmarish scenes we had fought so hard to be rid of have erupted in our midst again. How did we come to this? How in the miracle nation, among Tutu’s “rainbow people of God,” did this come to pass? Who is at fault is not important. What is required is that we take responsibility, responsibility to protect the weak, guard the vulnerable, care for the wounded, speak courageously for truth even when it is unpopular or dangerous. We’ve been here before. We know how to do this. Let’s do it!”

Some weeks after those tragic events many are doing it. Government and civil society organisations have taken a stand. We want to be telling those stories in the months to come. Yet we are aware so much trust has been lost, so much suspicion born. And we are also aware of the issues that led to this explosion of violence – a growing gap between the haves and have nots, poor education, an economy that is unable to absorb the abundance of unskilled labour, a culture of fatherlessness, and a lack of service delivery. And all of this is against a backdrop of the active nurturing of a culture of consumerism, a highly visible, extremely wealthy, middle class, and well organised criminal syndicates. Add to this toxic mix of hopelessness, millions of Zimbabweans searching for a bearable existence, and millions of other entrepreneurial immigrants who appear to be succeeding where poor South Africans are failing – and one can quickly see how the explosion came about.

These events in our nation bring us face to face with some hard realities that our society faces – some brutal facts about the distance we have really come in walking free from the the identities thrust upon us by apartheid. We realise we are not as far along as we expected and the tentacles of racism still reach into our hearts.

More than anything we are needing in this hour clear moral leadership that the likes of Mandela, Tutu and Luthuli provided in their generation – leaders that can help us take ownership of our common complicity in the lies, and our common responsibility in laying hold of the dream that those great leaders set before us. I see this happening all over this nation, from earnest debates among colleagues in the South African Museums Association conference to conversations with journalists and photographers. Should such leaders arise, then perhaps something worthwhile may emerge from this crucible experience.

Mayibuye iAfrika!

David Larsen
Director – Africa Media Online

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