Posts Tagged ‘digital imaging’


Picture Above: Africa Media Online’s Digital Campus is being run in Joburg this week after a brilliant week at the Cape Town School of Photography in Cape Town. The team at the Cape Town School of Photography did a wonderful job of hosting the Digital Campus. This week, Museum Africa and the Market Photo Workshop are our hosts

In this blog:

1. Peter Krogh masterclasses meeting the need in Pietermaritzburg and Cape Town
2. World Press Photo adds value to African Photo Entrepreneur Programme
3. Microsoft gives photo entrepreneurs a kick-start with Expression Media donation
4. FotoFinder makes a way for photographer from Liberia

1. Peter Krogh masterclasses meeting the need in Pietermaritzburg and Cape Town

Peter Krogh’s digital asset management courses have been receiving rave reviews around the country. This is the first time these masterclasses are being run in South Africa and if the comments in the evaluation forms are anything to go by they certainly do seem to be meeting a need in the market.

Peter Krogh demonstrating how Google Maps pinpoints exactly where he took a photograph after he matched his GPS tracker log with the time stamp on the image

What were the major benefits that you gained from the training?

“It was awesome! It gave me: 1. A major reality check 2. What to do about where I am at” – Cape Town Professional Photographer

“Understanding how a system of storage/cataloguing can work and increase productivity” – Cape Town Professional Photographer

“I realised how unorganised and dangerous my back-up system is” – Cape Town Professional Photographer

“Respect! To treat images with respect.” – Cape Town Professional Photographer

“A complete understanding of the whole workflow using the best of various software environment and a clear system to move files through production into an archive that is fully backed up and secure. This will help me manage and preserve my digital archive for years to come. Thank you so much! Also really cool insights into the future of imaging” – Pietermaritzburg Professional Photographer

“Unbelievable knowledge that can take me into the future and allow me to manage my data in an effective and efficient and long lasting and scalable manner. It’s gonna make a huge difference to the potential and accessibility of my data…” – Cape Town Professional Photographer

“Peter’s approach to organisation is quite radical compared to the way I have been working. He makes use of software to create faster, more efficient workflow. I gained a good understanding of DAM in general and information on backup systems, hard drives etc” – Cape Town Professional Photographic Trainer

2. World Press Photo adds value to African Photo Entrepreneur Programme

The Cape Town leg of the African Photo Entrepreneur Programme was enriched by the presence of Maarten Koets, head of education at World Press Photo. World Press Photo is an independent not-for-profit organisation based in Holland which is best known for organising the world’s largest and most prestigious annual press photography contest which becomes a traveling exhibition annually that is visited by over two million people in some 45 countries worldwide.

Maarten presented a slide show of images from Africa that have featured in the World Press Photo competition over recent years. The hard hitting imagery proved an inspiration to all present last Thursday evening (August 14). At the end of the evening participant Clare Thomas expressed her gratitude saying, “I’m feeling quite emotional, I hardly have words. I am so grateful for all that we have been exposed to and how it is lifting our vision.”

At the end of the week of masterclasses the participants had got together to present gifts of prints of their work to the trainers and AMO staff, a gesture much appreciated by all on the receiving end.

The African Photo Entrepreneur Programme has been partially supported by the European Union through Gijima KZN and by Africa Media Online.

Click here to see who made it to APEP Cape Town

3. Microsoft gives photo entrepreneurs a kick-start with Expression Media donation

Microsoft corporation in Redmond, Washington has come to the support of African photo entrepreneurs in donating a copy of Microsoft Expression Media to each of the 40 photographers participating in the African Photo Entrepreneur programme.

What used to be called iView Media Pro, Microsoft’s Expression Media has been recommended by Africa Media Online to photographers and archives for several years as the best commercially available programme for organising and managing an image collection. As seen here, the Mac version of the product is still supported by Microsoft

Peter Krogh, author of “The DAM Book,” who has been in South Africa running digital masterclasses as part of Africa Media Online’s “Digital Campus,” opened the door for the donation. He was so inspired by meeting many of the participants in the African Photo Entrepreneur Programme on the Pietermaritzburg “Digital Campus” that he emailed Jeff Greene in Microsoft’s Rich Media Group in Redmond, Washington DC, USA telling him about the programme. Within 24 hours Geoff had come back saying 40 copies of Expression Media are ready to ship.

“We are really grateful for Microsoft’s support of the photographer’s on the African Photo Entrepreneur Programme,” said Africa Media Online’s director, David Larsen. Africa Media Online has had a long relationship with the Expression Media product which used to be called iView Media Pro, having recommended the software in the South African market for a few years. “Having researched various options I was convinced it was the best of all the systems available,” said David. “The great thing is that with Microsoft taking over, the PC version of the programme is now on a par with the original Mac version which is good news for the photographers on PC. Expression Media is currently the best programme on the market for a photographer to manage a database of images and it is a great kick start for African photo entrepreneurs starting to grapple with managing a digital library.”

4. FotoFinder makes a way for photographer from Liberia

Ahmed Jallazo from Monrovia, Liberia, arrives at Museum Africa where several of the Johannesburg Digital Campus masterclasses are being run

Germany based picture library, Fotofinder GmbH came to the rescue of photographer, Ahmed Jallazo from Liberia in West Africa this month. Ahmed had been selected for inclusion in the African Photo Entrepreneur Programme but did not have the funds to get to South Africa and manage his living costs for the programme. Ali Packzensky, Director of the German based organisation, had met Africa Media Online’s Director of International Sales at CEPIC in May and had been inspired by the vision of the African Photo Entrepreneur Programme. When there seemed no way for Ahmed to make it, a telephone conversation between Ali and Africa Media Online’s director, David Larsen, resulted in Ali putting up the finances for Ahmed’s travel while Africa Media Online undertook to provide accommodation and board.

Ahmed was discovered a number of years ago by South African photographer Nic Bothma during the Liberian civil war working as a street photographer. Nic was working with EPA and Ahmed worked alongside him during the war learning the skill of a press photographer. In the past few years he has continued to string for EPA in West Africa.

In November, Ali is expected to be a part of the final stage of the African Photo Entrepreneur Programme, the Global Competitiveness Masterclass, which aims at giving the participating photographers insight in to the global imaging industry and the means to compete on the global stage.

Although the African Photo Entrepreneur Programme was geared at participants in southern Africa in 2008, Africa Media Online had applications from all over the continent and seven photographers were accepted from other parts of Africa. Most of these photographers made their own way to South Africa to participate in the programme. To see participants from other parts of Africa click here


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Dusk in Cape Town with Table Mountain and Lion’s head to the right of it. Africa Media Online’s Digital Campus moves to the “Mother City” next week after a wonderful week in Pietermaritzburg.

Welcome to the seventh edition of the Digital Picture Library Manager blog designed to add value to the management of your picture and media collections as well as to keep you up to date with developments at Africa Media Online and the world of digital imaging that could be of benefit you.
A. Bookings for the digital masterclasses with Graeme Cookson and Peter Krogh in Cape Town will close this Friday August 8. For Johannesburg the bookings will close the following Friday August 15. Further information and booking forms can be found at this link: Digital Campus
B. If you want to take advantage of the final intake for 70% funding for digitisation under the African Image Pipeline project, you need to have signed the necessary paperwork by Friday August 29.For further information please visit this link: Grant Funding for Digitisation of Image Collections

In this edition:

1. Peter Krogh wow’s masterclass participants with geostamping images
2. Graeme Cookson’s two day class sells out countrywide
3. African Photo Entrepreneur Programme gathers photographers from around the country and continent
4. Building an Archive that will last: Resolution and how it works

1. Peter Krogh wow’s masterclass participants with geostamping images

Peter Krogh demonstrating the ideal workflow using the best of various software programmes to ensure the most efficient and secure way of handling thousands of images to build and archive which you won’t lose and you can get the most from

Peter Krogh wowed participants at the Digital Photography Ecosystem masterclass with a demonstration of how photographers can geostamp their images and at the click of a button in the image metadata to link through to the location where the image was shot on Google Maps. US based digital imaging expert, Krogh was delivering his first session at Africa Media Online’s 2008 Digital Campus in Pietermaritzburg.

Geostamping wasn’t the only wow factor in the session as Krogh demonstrated an overview of an ideal Raw workflow which uses the best of Microsoft’s Expression Media 2, Adobe Bridge and a new programme called Image Ingestor Pro 3. As an Alpha tester for Adobe, Krogh also demonstrated some of the new functionality in Lightroom 2, launched last week internationally by Adobe.

Krogh’s primary emphasis is on managing thousands of images in the most efficient way possible using the best of the various software programmes available, and ensuring that photographers do not lose the files they have put so much work into. Referring to the efficiency of one’s digital workflow Krogh said, “Time is not just money, it is economic survival these days. If the guy down the road is turning work around faster than you, you are going to lose out.” He brings to photographers a highly ordered process which ensures files move through to being archived on one hand and available to markets on the other ensuring photographers are leveraging the most economic return out of their pictures.

Peter Krogh will be teaching digital workflow in Cape Town next week (August 11-15) starting with an evening class on Monday 11 and followed by two in-depth two-day classes where participants are at computers working through the ideal workflow. The masterclasses then move to Johannesburg during the week of August 18-22. To find out more information or download a booking form please go to Digital Campus or call David Larsen on 082-829-7959 or Aneesa on 033-345-9445.

2. Graeme Cookson’s two-day masterclass sells out countrywide

Several weeks before the start of the Digital Campus in Pietermaritzburg, Graeme Cookson’s two-day digital masterclasses, known as “Practical Digital Workflow,” were sold out countrywide.

“It is a testament to the quality of Graeme’s teaching that every year people who have done Graeme’s one day course rush to fill his two day course the following year,” said Africa Media Online’s Director, David Larsen. “Graeme has an amazing ability to make complex matters of digital imaging crystal clear. He is able to impart a highly productive way of bringing the best out of images.”

Graeme Cookson demonstrating the concept of resolution to participants in the Digital Imaging Essentials masterclass in Pietermaritzburg yesterday.

Coming from a prepress and photography background, Graeme brings to imaging professionals and organisations a productive digital darkroom. “When people really understand what is under the hood of digital images,” said Cookson, “then they can become highly productive rather than wasting lots of time going tweek, tweek, tweek.”

The kind of information Graeme imparts quickly makes a significant difference to the productivity of a production team, whether in a design studio, museum or media organisation. “That quickly translates into lots of money saved,” said Larsen. “It really is a no brainer as far as the investment is concerned, even for a cash strapped photographer. Between them Graeme and Peter are going to make you many times over what you spend on the opportunity to learn from them. This is really the point as far as Africa Media Online is concerned as we are all about enabling Africans to compete on the global stage.

The Ascot Conference Centre, where the Pietermaritzburg Digital Campus is being hosted, has proved to be a wonderfully relaxed environment in which to learn.

3. African Photo Entrepreneur Programme gathers photographers from around the country and continent

Participants in the African Photo Entrepreneur Programme socialise with Africa Media Online staff at the launch of the programme in Pietermaritzburg on Sunday.

Photographers gathered from all over South Africa and the African continent on Sunday at the launch of the Pietermaritzburg leg of the African Photo Entrepreneur Programme. Photographers traveled to Pietermaritzburg from Johannesburg, Cape Town, Durban, Harare and Nairobi to take advantage of the opportunity afforded by the unique programme.

The African Photo Entrepreneur Programme has been established to provide a catalyst for the development of photo entrepreneurs in Africa – photographers who have the technical skills and market savvy to compete on a global stage.

“Although the 2008 programme was aimed at photographers in southern Africa, we had applications from all over the continent,” said Africa Media Online’s director, David Larsen. “It really has shown us that we are hitting the nail on the head as far as the need out there among African photographers goes.”

“Although we have enjoyed some funding from the European Union as part of our African Image Pipeline, project we were seriously short of funds in running this programme, so were limited in the amount of support we could provide for transport and living costs. It has been amazing to me, however, that almost all of these photographers have made their own way here, some coming as far afield as East Africa and West Africa.”

“We can really see the entrepreneurial spirit in the extent to which many of these photographers are risking their own resources to reach out and take this opportunity. And it is not just those from other parts of Africa. Participants have traveled from Joburg and Cape Town and we have two participants from Durban who make their way by catching lifts and hitch-hiking every morning long before dawn to make it here in time.”

Sixteen APEP participants are spending this week learning technical digital workflow skills from Graeme Cookson and Peter Krogh as part of Africa Media Online’s 2008 Digital Campus. Next week (August 11-15) 12 APEP participants will do the same in Cape Town and the week after (August 18-22) a further 12 will undertake the training in Johannesburg. At the end of each week the participants will be given a project to complete over the next month, and upon successful completion of that, they will be invited back to Pietermaritzburg in November for the Global Competitiveness Masterclass. There they will be given the inside track on market access by experts from around the world who are on the cutting edge of the global picture industry.

Click here to see who made it to APEP Pietermaritzburg.

3. Building an Archive that will last: Resolution and how it works

Zooming in to an image one sees that it is composed of thousands of colour squares. These are pixels, seen here in the close up of a human eye.

We have been working through the submission standards that africanpictures.net sets for images being submitted to its picture library. We have done file size, interpolation and bit depth and now we come to resolution. For images submitted to africanpictures.net the resolution must be set to 300 dpi. It might sound strange to hear me say this, but africanpictures.net asks for this more for the sake of the clients receiving the images, than for the sake of image quality. It is the file size that determines image quality, not the resolution setting. Let’s explain.

If you look at a picture in a magazine with a magnifying glass you will see it is composed of thousands of tiny dots each of a single colour, often different from the one next door to it. Digital images are similar in their make-up, only the tiny dots are square and are called pixels (picture elements). Each pixel is a digital facsimile of a particular tiny point on a picture. There is actually nothing in a pixel except a set of digits that tells it what colour it should be. While pixels vary greatly in colour from one pixel to another, each pixel in itself is a solid single colour.

Resolution is the measure of the number of pixels used to represent an image. So if an image is 500 pixels long and 400 high the total number of pixels is 200,000 (500 x 400). Resolution is usually measured in dpi which stands for dots per inch. Although everyone tends to speak about dpi, when it comes to digital imaging it is actually more correct to speak about ppi or pixels per inch. Common usage, however, has become dpi so let’s stick to that. Either way, what we are measuring when we speak about dpi or ppi, is the density of pixels, or how many pixels are found in every inch of a picture.

Because the only information that pixels have in them is a set of digits that determines its colour, a pixel will expand to fill any space you give it. So if you have an image with 200,000 pixels in it, it is quite possible for you to set it at 300 pixels per inch and every inch will have 300 pixels along one side. It is also quite possible to set that same image to 1 dot per inch and the pixels will expand until each one is one square inch in size. The amount of information, however, has not changed at all. The file size will remain constant, it is just that you have spread that information over a larger area. It is like taking a can of paint and painting many coats over a smaller area, or taking the whole can and spreading it over a larger area. The volume of paint does not change at all but the area covered does. In the same way the file size of the image does not change but the resolution does.

The standard for printing images in a book or magazine has become 300 dpi even though many printers only print at 150 dpi. There are good reasons for this, which we won’t discuss here. As a result people tend to speak of a 300 dpi image. But it is no good saying, “a 300 dpi image is a quality image,” without giving the dimensions of the image. That is like saying the distance between Johannesburg and Pretoria is 100 km/hour. You still want to know, “how many hours?”

To say an image is 300 dpi only tells you the density (how many coats of paint), not how many pixels you have (how much paint you have). To take the paint analogy further, if you are needing to paint a large wall with three coats to ensure quality and discover you have run out of paint after one coat, the wall will not look great. In the same way if you try and spread an image that has enough pixels to cover an A5 page at 300 dpi over an A3 page, your quality will not be great.

The 300 dpi standard, then is simply a convention to make designers feel they are in familiar territory. So yes, set your images at 300 dpi, but the real question is “300 dpi over what area? An image that is 2 cm wide and 1 cm high at 300 dpi is not going to be of sufficient quality to print well if you stretch it over an A4 page (close to 20 cm x 30 cm).

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Above: Mimosa Mall, Bloemfontein: In the rush and glitz of Christmas it is easy to forget the child born into poverty in Bethlehem over 2,000 years ago who, without an army or any political, community or religious position, has impacted centuries of history and billions of lives

Welcome to the third edition of the Digital Picture Library Manager blog designed to add value to the management of your picture and media collections as well as to keep you up to date with developments at Africa Media Online and the world of digital imaging that could be of benefit you.

In this edition:

1. Building an archive that will last: interpolation
2. National Heritage Council applauds digitisation of World’s foremost African music archive
3. Struik Publishing invests in digital imaging training
4. Africans feature on the 2008 World Press Photo jury
5. Reinhardt Hartzenberg, Picture Editor

Building an Archive that will last: Interpolation


Participants in the Practical Digital Workflow masterclass are taken through the essentials of digital imaging step by step

The africanpictures.net Imaging Standards Document outlines image quality for professional markets and archival preservation. In the last edition we dealt with file size, now we want to look at the related subject of interpolation. Interpolation is a means of “bumping up” the file size of an image. Although this practice should be avoided on the whole, as it is a compromise in the image quality, it does prove useful for designers who need a very large image for a bill board or display poster.

To interpolate an image, a software package such as Photoshop will simply invent more pixels. The problem of course, is that the software does not know what the picture ought to be and so if there is a black pixel sitting next to a white pixel, the software will simply insert pixels in between with colour gradients that step through shades of grey from black to white. This works to a point, but if you push it too far the image becomes fuzzy and blurred. There are software packages, however, which do a better job at this than most. Probably the best known is Genuine Fractals which now claims to be able to enlarge an image up to 1000% without any loss in quality.

In terms of building a picture collection that is going to stand the test of time, the best is to use no interpolation at all. The principle is that you want to create an archive that is at best quality and most useful for being repositioned to any use. Interpolation is best left to the end user. Even if the image you are supplying to an end users is too small for her need, the advantage of sticking to the zero interpolation standard is that the end user can be sure that they are having to interpolate an image that has already been interpolated.

2. National Heritage Council applauds digitisation of World’s foremost African music archive


The Africa Media Online team at the International Library of African Music at Rhodes University in Grahamstown at the start of the digitisation project. In the first phase of the project the team scanned all the pictures and captured related metadata. The second phase will involve the creation of a MEMAT powered web site and the selection, retouching, keywording and loading online of 1,000 of the images

Africa Media Online has been undertaking the digitisation of the photographic collections of the International Library of African Music in Grahamstown funded by the National Heritage Council. Warara Kakaza from Leap Digital, who are the project auditors for the National Heritage Council, visited the project and had this to say afterwards in a brief telephone conversation with Africa Media Online’s Director David Larsen:

David Larsen: Having visited the ILAM project what is your perspective?

Warara Kakaza: We are happy and satisfied with the progress. We could see visible things that you could touch and feel and we were quite excited when we left. The work looks like it will be finished even before the planned timeline. Professor Diane Thram was on the ball and we also spoke with Melinda [AMO’s metadata capture team leader]. We also interacted with Reinhardt [AMO’s picture editor]. We are very happy with the way things are going. We also spoke with Ian [AMO’s product manager] telephonically and I gave him quite specific feedback to say we were quite happy. I think what really made us happy were the kind of opportunities that that project has. Even after the NHC funding is gone there is big potential and tremendous opportunity and not only for South Africa but also for the whole continent. It really made us feel so good.

David Larsen: Did you feel it was well managed?

Warara Kakaza: Yes well managed… In fact I also made a comment to say that of all the… Because we go through all these files that the NHC has and of all the proposals we have gone through your proposal was the most well put together proposal. It was so clear exactly what you are going to do. It is so easy to measure. It is so easy to see, to monitor and evaluate it, to see whether things are happening or not happening. It was so professionally prepared and it made our work very easy… The fact that even the public will have access on the web site made us feel that we will always have access and generations to come will have access to that information. We were very happy!

3. Struik Publishing invests in digital imaging training

Cape Town airport

Construction cranes against the night sky at Cape Town International airport

The digital revolution has placed many of the tasks, once confined to specialists in the repro houses, into the hands of photographers, designers and dtp operators. One of the foremost publishing houses in South Africa, Struik Publishers recognised the need for staff to be well equipped in this area and invited Africa Media Online’s Director, David Larsen, in to deliver a one day Digital Imaging Essentials masterclass to over 20 staff members in early November. A wide range of staff including picture editors, designers, photographers and IT personnel clearly benefitted from the course giving it an average score of 9.58 out of a possible 10.

Africa Media Online is finding many organisations are asking for this kind of training. Arlene Gippert from Struik is more than happy to respond to anyone who would like to know how this course helped her staff arlene@striuk.co.za

4. Africans Feature on the 2008 World Press Photo Jury

Simon Njami

Artistic Director, Simon Njami, addresses dignitaries at the launch of the 2005 Bamako Biennale, Bamako, Mali

South Africa’s Jodi Bieber and Cameroon’s Simon Njami feature on the panel of the 2008 World Press Photo Awards. Jodi is a product of the Market Photo Workshop in Johannesburg and has won eight World Press Photo awards. Simon Njami is editor-in-chief of Revue Noire and has been artistic director of the Bamako photography biennale since 2001. He has curated numerous exhibitions of African art and photography, including Africa Remix, which is touring the world and is currently in South Africa.

If you are wanting to submit, the deadline is Thursday, 10 January 2008, 23.59 Central European Time. The easiest way to submit is via the new online system. A number of us used it last year and it was a whole lot easier that packaging CDs and application forms. Here is the link: https://submit.worldpressphoto.nl/

The World Press Photo newsletter asked jury chairman Gary Knight for some tips on the best way to select submissions for the 2008 contest. He said “A story or portfolio will be better received if it contains a limited number of strong, intelligently sequenced images. Don’t feel you have to make up the maximum number of 12. Weak images in an otherwise strong body of work may condemn the whole essay to the wastebasket. As for single pictures, demonstrate some judgment in your selection of strong images. And please remember that we are here to judge, not to edit.”

5. Reinhardt Hartzenberg, new Picture Editor

Reinhardt Hartzenberg

With a background in fine art photography, Reinhardt Hartzenberg joined Africa Media Online as Picture Editor in May

Reinhardt Hartzenberg is an M-Tech Photography (Cum Laude) graduate from the Tshwane University of Technology. His most significant contribution to African photography to date is that he was the founder and is the current editor of the South African Journal of Photography. He also opened the Imaging Hub Photographic Gallery in Pretoria, in order to raise awareness of Fine Art photography in South Africa. Reinhardt is passionate about the future of African photography. Reinhardt joined Africa Media Online in May 2007 as Picture Editor.

A Joyful Christmas and a New Year Full of Hope

Africa Media Online Staff

Africa Media Online staff members who attended a recent Christmas celebration

From all of us at Africa Media Online we want to wish you and your family a joy filled Christmas and a safe New Year. Thank you for your support and interest in what we are doing over the past year and we look forward to interacting with you in 2008, a year filled with destiny!

Our office will be closed from December 21, 2007 and will reopen on January 2, 2008.

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Welcome to the new Digital Picture Library Manager blog designed to add value to the management of your picture and media collections as well as to keep you up to date with developments at Africa Media Online and the world of digital imaging that could be of benefit you.

In this edition:

1. New image standards for picture libraries
2. World media bodies take major step toward global metadata standards
3. Majority World Imagery – the untapped potential
4. Getting your collections to a global audience
Florence from the top of the Duomo
Florence from the top of the Duomo cathedral

1. New image standards for picture libraries

Africa Media Online’s picture portal, africanpictures.net has recently released its updated imaging standards assisting museums, photographers, archives and corporates to maintain a standard in imaging that will ensure their collections are usable generations from now. In future editions of The Digital Picture Library Manager we hope to discuss various aspects of these standards and why we have set them as they are. In the meantime please feel free to download the africanpictures.net Digital Imaging Standards

2. World media bodies take major step toward global metadata standards

Early June saw the world’s first International Photo Metadata Conference held in Florence, Italy. Hosted by the Coordination of European Picture Agencies Press Stock Heritage (CEPIC) and organised by the International Press and Telecommunications Council (IPTC) and IFRA, the world’s leading association for newspaper and media publishing, the event was a great success. Africa Media Online’s Director, David Larsen, was present at the historic gathering. More information as well as a full report can be found by following these links:
CEPIC Report
Controlled Vocabulary report
Photo Metadata Conference website
Michael Steidl, Managing Director of the IPTC
Michael Steidl, Managing Director of the IPTC speaks at the opening session of the first ever International Photo Metadata Conference

3. Majority World Imagery – the untapped potential

A night shot of the Ponte Vecchio bridge over the Arno River in Florence, Italy is the main picture at the top of this blog. Florence, with its long tradition of excellence in the arts was a fitting place for the CEPIC Congress 2007. CEPIC is a unique meeting of the global picture industry where producers of images from all over the world gather to trade images and speak about industry issues. David Larsen, Director of Africa Media Online, was invited by Shahidul Alam of Drik picture library in Daka, Bangladesh to present alongside himself and Mark Antman, CEO of the Image Works in the US, on the topic Majority World Imagery, The Untapped Potential . With the Millenium Development Goals and the 2010 World Cup, global attention is certainly turning toward Africa and as africanpictures.net we were able to land distribution partnerships in many countries in Europe, Asia and North America including with the world’s oldest picture agency, Alanari based in Florence, Italy.
The Alinari Museum of Photography, Florence, Italy
The Alinari Museum of Photography, Florence, Italy. Alinari is the world’s oldest picture library and has recently become a distribution partner of africanpictures.net

4. Getting your collections to a global audience

The state of the art interpretation centre at Maropeng at the “Cradle of Mankind” in the Magaliesberg, Gauteng, South Africa was a fitting venue for the 2007 South African Museums Association (SAMA) conference. Site of some of the world’s most ancient hominid discoveries, the area provided a fitting backdrop to healthy debate around the topic “Museums in a Virtual Age.” There were many excellent presentations, not only on the use of information technologies in the museums sector, but also looking at the fundamental philosophical questions such as the way in which digital facsimilies of museum objects should be used over against the original object itself. On the final day Africa Media Online’s Director, David Larsen, presented a paper entitled “Getting Your Collections to a Global Audience”. Picking up on the philosphical debate, Larsen discussed the changing role of museums in the context of philosophical shifts in society which mean the museum audience is radically different from what it was 20 years ago and what that means for the critical use of information technologies. The full paper can be downloaded here: Getting Your Collections to a Global Audience
Entrance to MaropengSAMA Delegates at Maropeng
David Larsen speaks in plenary sessionThe Maropeng Interpretation Centre
Top left to bottom right: The entrance to Maropeng; SAMA delegates at Maropeng; David Larsen speaks in a plenary session; the Maropeng Interpretation Centre

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