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Posts Tagged ‘David Larsen’

cc-logo.jpgAbove: The Creative Commons logo is, for many, a symbol of a new way of dealing with copyright more applicable to the information era. It certainly holds out promise for museums, archives and other public repositories that hold collections in trust for the public good.

Copyright and Creative Commons

I am delighted that distinguished copyright lawyers Tobias Schonwetter and Andrew Rens will be joining Digital Imaging consultant Graeme Cookson, metadata expert, Sarah Saunders and myself in giving input at the Heritage Digital Campus to be held in Cape Town from August 17 to 21.

I met Andrew some years ago through one of our advisory board members, Dwayne Bailey of Translate.org.za. Andrew is Intellectual Property Fellow at the Shuttleworth Foundation and has initiated a number of innovative initiatives in the area of intellectual rights. Tobias has his PhD in copyright exceptions and limitations and, among other distinguished positions, is legal lead of Creative Commons South Africa. Both are sought after speakers on intellectual property issues and I believe they will be of immense assistance to participants in the 2009 Heritage Digital Campus, particularly in relation to the advent of Creative Commons licenses which I believe give the legal framework for heritage institutions to both grant access to collections held in their trust for the common good, while at the same time ensuring that the collections are not exploited.

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Above: Andrew Rens was the initiator of the African Commons Project and Freedom to Innovate South Africa. Andrew is an active blogger and two of his blogs can be found here and here.

Tobias sent me an outline of what he and Andrew will be dealing with in their afternoon sessions:

What is copyright?
Copyright terms, the public domain, orphan works etc.
What happens when you digitise?
Introduction to CC licenses
How to use CC licenses

I am very excited about the star line up with have for this first Heritage Digital Campus. Those of you who have signed up for the full week and those signed up for Sarah Saunders’ course will have Tobias and Andrew’s sessions included in your training. If you have already booked and are still to pay, please be in touch with Jacqui Cook (+27-33-345-9445) as soon as possible to secure your place. If you are a government department this can be done by giving her a purchase order number. If you have not yet booked please urgently be in touch with Sue Hadcroft on +27-83-445-6042 so that she can secure your place.

Download the Masterclass Outline
Download the Booking Form

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Above: Two woman await a tram in a shelter advertising an exhibition of Richard Avedon pictures which was on at the Foam_Fotografiemuseum in Amsterdam while we were there.

In February I was in Holland, together with our Product Manager, Ian Blackburn, and Media Manager, Dominique Le Roux, to work on a joint project with four Dutch organisations, World Press Photo, FreeVoice, lokaalmondiaal and the Tropen Museum. What has brought our five organisations together is a very exciting project centred around the 2010 Fifa World Cup. Together, the five organisations, headed by World Press Photo and FreeVoice, have been awarded over €2.2 million by the Dutch Postcode Lottery to carry out the project.

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Above: Africa Media Online’s Media Manager, Dominique Le Roux (left), together with colleagues from Dutch partner, lokaalmondiaal at a pub in Arnhem, a town outside Amsterdam, Holland.

The aim of the project is to bring an African perspective to the reporting on the soccer World Cup, which will be held in Africa for the first time in history – in South Africa in June and July 2010. In the latter half of this year (2009) World Press Photo and FreeVoice will be training photojournalists, radio journalists, and text journalists at a number of venues around the continent. The journalists will then report from their various nations on the lead up to the event and that content will be distributed by Africa Media Online to African and global publishers. It will also be published on lokaalmondiaal’s web site for the Dutch Public. The best of the content will also be curated to form part of a major exhibition in the main exhibition hall at the Tropen Museum in Amsterdam which will be launched just before the staging of the World Cup itself.

Then in 2010, the best of the qualifying journalists will be invited to South Africa where they will cover the 2010 Fifa World Cup on the ground. There will be three teams, two based in Gauteng province but traveling to the games, and one traveling down the coast to finish up in Cape Town at the semi-final due to be held there. The teams will not just be reporting on sports, but rather on every aspect of life that is impacted in any way by the soccer fantasia.

Throughout, Africa Media Online will be distributing the content to publications all over Africa and the World. As part of this we will have created the application web site and upgraded our MEMAT system to facilitate seamless distribution.

After the event, a select group of photographers will qualify for the 2010 African Photo Entrepreneur Programme to be run by Africa Media Online, and lokaalmondiaal will be putting together a book with the best of what was produced. There will also be a traveling exhibition in South Africa.
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Above: From left to right: Project Manager for the “Twenty Ten: African media on the road to 2010 (and beyond)” project, Ruth De Vries, from World Press Photo with her colleague Katusha Sol, Africa Media Online’s Media Manager, Dominique Le Roux and Product Manager, Ian Blackburn, and a representative of the Tropen Museum in Amsterdam view the main exhibition hall of the museum where the project exhibition will be staged just before the 2010 Fifa World Cup next year.

So it is all very exciting and it starts right here with you and or those you can encourage signing up to:
*Make application to be one of the journalists to cover the event (the closing date for registering to receive a username and password is 4 May 2009). If you want to be considered for APEP next year, please sign up to participate in this project.
*Sign Up to receive information about the project and, if you are an African publication out side of South Africa, to receive free content.

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Above: A fragment of “Cassarinas at Dawn, Maputo, Mozambique” by David Larsen, is one of the images that forms part of the IZWE de Africa exhibition that has travelled to Buenos Aires, Argentina as part of a cultural exchange programme.

Clare Louise Thomas writes to participating photographers from Buenos Aires:

So, we opened the exhibition on Thursday evening and it was a roaring success. The space looked amazing and the feedback was just magnificent. Every single one (I love this) of the photographers were singled out as someone’s favourite and people were just thrilled to be seeing the work that was coming out of South Africa. The cultural TV channel (Canal A) came and did an interview and I made a speech about what an honour it has been to work on this project and how valuable it is for emerging South African photographers work to be getting out there.

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Africa Media Online exhibition organiser and photographer, Clare Louise Thomas being interviewed by Canal A at the opening of the “IZWE: Desde Africa” exhibition as part of the Proyecto 34˚S cultural exchange between Cape Town and Buenos Aires. PHOTO: Clare Louise Thomas

The Economic, Political and Cultural Counceller from the South African Embassy Vicor Rambau was there and showed great interest in the exhibition. I will be meeting with him next week to see what future possibilities may hold, as well as with the director of the Borges. Marta Camponara is a well respected African Art Collector here who is touring her exhibition of African sculptures around Argentina and we are looking into our exhibition travelling with hers… The options are looking good, but even if it just stays as is where it is now. it is a great thing. The pictures look incredible and as a collection really work wonderfully together. I can’t wait till we can bring it back home and show the people there… 🙂

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Members of the public browse the exhibition at the opening in the prestigious Centro Cultural Borges in Buenos Aires, Argentina. PHOTO: Clare Louise Thomas

Watch the media for information about the exhibition as it filters out bit by bit. The Cape Argus featured something this weekend with their own selection of photos and quotes from the information provided. So check that out and I will keep you updated on more as it happens.

Again, congratulations. I am so thrilled at the outcome of this experience.

Clare in Buenos Aires
(Africa Media Online)

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Last night saw the opening of the IZWE de Africa exhibition featuring the works of South African photographers in a prestigious venue in Buenos Aires, Argentina. A collaboration between Africa Media Online and Proyecto 34°S, this six-week exhibition provides a mix of emerging and established photographers with the chance to share their views on Contemporary African Culture.

Proyecto 34°S is an artistic exchange between Buenos Aires, Argentina, and Cape Town, South Africa. Its primary objective is to promote and facilitate the exchange of African and Latin American performing arts, culture, heritage and literature. Curated by Nadia Strier, the Izwe de Africa exhibition features as part of the South African Embassy’s heritage showcase at the Centro Cultural Borges, as well as online at Africa Media Online, where buyers will be able to select and purchase art prints.

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Above: Jeremy Jowell’s image of Seychellois fishermen is one of 23 photographs by Africa Media Online photographers featuring in a prestigious exhibition in Argentina which also serves to launch our new print-on-demand service

Each of the photographers was asked to describe how their photographs reflect their views on the theme. Tammy Gardner, whose image is of a young man striding with his briefcase before the crumbling façade of The Empire building in Muizenberg, on the False Bay coastline, sums up the overall tone of the exhibition in her commentary:

“The obvious statement of crumbling Empire in Africa, the dilapidated building still showing its beautiful design form, the optimistic morning light, the purposeful stride of the black man with his shabby clothes and briefcase. A perfect metaphor for the complexities of African life as we know it today – not so shiny, not so picture perfect, but hopeful, working with what we have.”

Africa Media Online is a South African organization that specializes in giving African photographers a voice and an opportunity to compete on equal footing in international markets. “A balanced view of Africa and her rich heritage cannot exist unless we as Africans are able to consistently tell Africa’s story from our perspective in the global information economy,” explains David Larsen, Director of Africa Media Online.

Larsen refers to Africa Media Online’s role as the provision of a ‘digital trade route’ – this includes training, the provision of online systems and an image library that markets content directly to editors and publishers, curators and art directors around the world. Now this exhibition launches yet another platform that the company will be providing: the opportunity for international buyers to select African images online and have art prints delivered to their door.

The exhibiting photographers are:
Sean Wilson, Marinda Louw, Kim Thunder, Christine Nesbitt, Simone Scholtz, David Larsen, Jeremy Jowell, Karin Duthie, Craig Urquhart, Chris Kirchhoff, Nikki Rixon, Tammy Gardner, Clare Louise Thomas and Toni Jade Efune.

Six of these fourteen photographers were a part of the African Photo Entrepreneur Programme run by Africa Media Online in 2008, which was focused on growing photo entrepreneurs to compete on the global stage in terms of photo production and market savvy.

Right Click to download PDF slide show of the exhibition

For further information please contact the Media Manager, Dominique le Roux: +27 21 788 6261 or +27 82 823 0460 dominique@africamediaonline.com

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Picture Above: Africa Media Online staff and participants in the African Photo Entrepreneur Programme in the pub at the Ascot Conference Centre during the Pietermaritzburg Digital Campus. From left to right: Maryann Shaw (APEP participant – South Africa), Tsvangirayi Mukwazhi (APEP participant – Zimbabwe) Lungile Kunene (Sales Assistant, AMO), Julius Mwelu (APEP participant – Kenya), Felix Masi (APEP participant – Kenya), Antony Kaminju (APEP participant – Kenya/South Africa), Sue Hadcroft (Business Manager, AMO), Peter Krogh (The DAM Trainer!)

Welcome to the ninth edition of the Digital Picture Library Manager blog designed to add value to the management of your picture and media collections as well as to keep you up to date with developments at Africa Media Online and the world of digital imaging that could be of benefit you.

In this blog:

1. Adobe Backs African Photo Entrepreneurs with Lightroom 2.0
2. What You Said About Africa Media Online’s 2008 Digital Campus
3. All 40 African Photo Entrepreneur Programme Participants Complete Stage One
4. Africa Media Online Launches Model Released Multiple-Use Collection
5. Photographers Gatherings in Cape Town and Johannesburg

1. Adobe Backs African Photo Entrepreneurs with Lightroom 2.0

One of the world’s foremost imaging companies, Adobe, has put their impetus behind the African Photo Entrepreneur Programme (APEP) with the sponsorship of the recently launched software package for photographers, Adobe Photoshop Lightroom 2.0. All of the APEP participants who complete the prestigious programme, will receive a license for the cutting edge software package.

Adobe Photoshop Lightroom 2.0 is an essential element in a best practice RAW workflow for digital photographers. The programme enables high productivity in the bulk adjustment of images, enabling photographers to turn around work speedily and at standard

All 40 African photo entrepreneurs who are participating in the programme have already received training in its use during the Digital Campus phase. They had the privilege of practicing the use of the software programme under the supervision of Adobe Photoshop Lightroom alpha tester, Peter Krogh.

Before they can qualify for their copy of Adobe Photoshop Lightroom 2.0, however, the 40 photo entrepreneurs still have to complete the other phases of APEP. Currently they are working on assignments in collaboration with Africa Media Online’s media manager, Dominique Le Roux. Those who successfully complete this stage will be invited to the Global Competitiveness Masterclass to be held in Pietermaritzburg in November. There, participants will gain exposure to local and international experts in marketing imagery and engage with the future of professional imaging.

“We are thrilled with Adobe’s input into this programme,” said Africa Media Online’s director, David Larsen. “Adobe Photoshop Lightroom 2.0 is a massive leap forward into the future of digital imaging – an integrated RAW workflow. Adobe’s commitment to open standards means that the photo entrepreneurs who will be utilizing the programme can be certain that they are building an archive that will be accessible for generations to come. This is something we really emphasized during the first training block of APEP. Professional photographic entrepreneurs have to realise they are building an asset for the long term and if they can be using the right tools and the right standards now, the value they will reap down the line will be tremendous. Adobe is making that possible by not tying photographers in to proprietary systems. This means that their pictures, and the information about the pictures will always be accessible, even if there comes a time where Lightroom is no longer in use and there are other systems in place.”

Liberian photographer, Ahmed Jallazo gets to grips with Adobe Photoshop Lightroom 2.0 at the Johannesburg Digital Campus

“We faced a dilemma in the first training block,” said Larsen. “Here we were training photographers to use the best systems available, aware at the same time that many of them could not afford to invest in these systems. We consoled ourselves with the knowledge that at least they were getting exposure to the principles and could see the potential. Adobe’s donation has significantly changed that scenario and the photographers will be able to take the opportunity with both hands.”

“We are really grateful to Peter Krogh who came out here, believed in what we are doing and saw the need, and so engaged with Addy Roff and Frederick Johnson of Adobe. And we are grateful to Addy and Frederick who caught the vision and made it all happen.”

Adobe’s donation of software follows on the heels of an investment by Microsoft in the photo entrepreneurs of 40 copies of Expression Media 2.0. Together these packages provide the backbone of best practice digital asset management for photographers.

2. What You Said About Africa Media Online’s 2008 Digital Campus

Africa Media Online’s 2008 Digital Campus came to a conclusion in Johannesburg on Friday August 22 wrapping up three hectic weeks for the AMO team and our two lecturers, Graeme Cookson and Peter Krogh. As a participant, you gave us some great feedback.

On the evaluation form at the conclusion of each masterclass you were asked to give comments and an overall score out of 10. These were the average scores and some comments given. As participants the vast majority of you were working professionally with images: designers, professional photographers, museums professionals, scanner operators and others:

Digital Imaging Essentials one day masterclass with Graeme Cookson
Pietermaritzburg: 8.9; Cape Town 9.1; Johannesburg 8.7

Graeme Cookson teaches the Digital Imaging Essentials masterclass at the Cape Town School of Photography (left) and Museum Africa in Johannesburg (right)

What were the major benefits gained from the training
“This course was extremely professionally presented”
“Graeme’s use of analogies very useful!”
“Detailed info that could not be found in books”
“Understanding what pixels are and how they work”
“Learnt a lot more about levels and curves”
“The order in which to edit an image & the tools to use”
“Colour management – learnt some great rules so I don’t need to rely on eye”
“Better understanding in detecting & fixing image quality problems”
“Being able to identify an image good enough for international market”
“Better understanding of what submission standards I must insist on”

Digital Imaging Ecosystem evening masterclass with Peter Krogh
Pietermaritzburg: 8.6; Cape Town: 9.1; Johannesburg 9.0

Peter Krogh teaches the Digital Imaging Ecosystem masterclass at iKhaya Conference Centre in Cape Town (left) and Wits University’s Hofmeyr House (right)

What were the major benefits gained from the training
“I realised how unorganised and dangerous my back-up system is!”
“To treat an image with more respect”
“A major reality check & what to do about where I am at now”
“Made how I need to store my library very clear”
“Library based collection management was a real benefit to me”
“Understanding how a system of storage can work & increase productivity”
“Knowledge of brilliant system that changes the potential of data/catalogue”
“Workflow will definitely improve”
“A whole new world was opened up to me”
“Great speaker, awesome content, just overwhelming. Thank you!”

Practical Digital Workflow 2-day masterclass with Graeme Cookson
Pietermaritzburg: 9.0; Cape Town 9.0; Johannesburg 8.9

Graeme Cookson gives in-depth instruction at the Practical Digital Workflow masterclass at Ascot Conference Centre in Pietermaritzburg (left) and Market Photo Workshop (right)

What were the major benefits gained from the training
“Understanding image anatomy to bit level”
“In-depth knowledge of digital landscape”
“Image cleaning, sharpening, greyscale, use of highlights & shadows”
“Understanding of specific PS functions: curves, hue, saturation”
“Better use of histogram, channel, layers for colour profiles”
“Discovery of image faults & precise techniques to fix them”
“A bigger confidence in working images & awareness of what damages them”
“I can now enhance my images much better”
“A logical framework to approach problem solving”
“Can go back to thousands of images I thought were bad, correct & enjoy them”
“The way Graeme teaches – a master!!!”
“Stupendous! You need to add a column in front of ‘Very Well'”
“AWESOME lecturer!”

Get Your DAM Stuff Together 2-day masterclass with Peter Krogh
Pietermaritzburg 9.1; Cape Town 9.7; Johannesburg 9.4

Peter Krogh instructs participants during the “Get Your DAM Stuff Together” masterclass at the Cape Town School of Photography (left) and participants Toni Efune and Leonie Marinovich get to grips with digital workflow during the masterclass at Museum Africa in Johannesburg (right)

What were the major benefits gained from the training
“Wake-up call on backups”
“In-depth evaluation of software”
“Cataloging & DNG”
“Better understanding of DNG, Espression Media & Lightroom”
“Much greater understanding in file management and back-up”
“Understanding a clear system in moving files through production”
“A complete understanding of the whole workflow using the best of different softwares”
“A vision of what I should be doing in managing my own archive”
“It is going to make a huge difference to the potential & accessibility of my data”
“Helped me create a positive, logical direction to begin a critical task”
“Peter has a great ability to impart immense knowledge & encourage change of current data management systems in a reassuring, clear and concise manner”
“Peter’s approach to organisation is quite radical compared ton the way I have been working – creates a faster, more effective workflow”

Participants at the Pietermaritzburg Digital Campus take a welcome break (left) and participants at the Digital Campus in Cape Town get in on a group photo (right)

You also made some general comments:
“I feel very privileged to be a part of this because it has taken me beyond what I always thought I had or could achieve”
“Awesome opportunity to network with others in the industry”
“I would like to thank AMO for this opportunity. I wish there could be more of this”
“The speakers certainly knew their stuff”
“Thank you for the notes!”
“Please come back and do this again!”
“Very inspiring”
“I think the AMO team is great. Thank you guys for enabling me to participate & be among a group of inspiring photographers whose work mesmerised & motivated me”
“Peter and Graeme are both amazing and I want to thank you two gentle men for tolerating & giving us the kind of helpful knowledge in the craft we practise in our everyday lives”
“AMO – keep doing what you are doing!”
“It is a marvellous course that overwhelmes one, but leaves one feeling empowered. Thank you!”

Top Left: Africa Media Online’s director, David Larsen and Graeme Cookson at Digital Campus Pietermaritzburg; Top Right: Head of Training at World Press Photo Maarten Koets and South African documentary photographer Paul Weinberg at a social gathering during Digital Campus Cape Town; Bottom Left: Cape Town based photographer Nikki Rixon and Kunle Ajayi from Lago, Nigeria during a break in Cape Town. Bottom Right: Chief photographer for the Sunday Independent, TJ Lemon forces Johannesburg based photographer, Caroline Suzman into the camera frame during Digital Campus Johannesburg

3. All 40 African Photo Entrepreneur Programme Participants Complete Stage One

At the close of the 2008 Digital Campus in Johannesburg on August 22, all 40 APEP participants had made it through the first stage of the programme. The final week was hosted in Newtown in Johannesburg by Museum Africa and Market Photo Workshop and at Wits University’s Hofmyer House.

Click here to see who made it to APEP Johannesburg

“Stage one, was participation in the Digital Campus which provided a brilliant technical foundation in digital imaging for the photographers,” said Africa Media Online’s director, David Larsen. “The participants could hardly have had better tutors than Graeme Cookson and Peter Krogh.”

Neo Ntsoma

Neo Ntsoma

“This programme exceeded my expectations,” said Cape Town based photographer, Willem Foster. “I am glad I got to experience it, not only for everything I’ve learned form Graeme and Peter, but for everything I’ve learned from the other participants. I never thought we would learn so much from each other. The programme was well organised and set out and the material was all relevant.”

“Awesome! It was such an eye opener,” said Johannesburg based Neo Ntsoma. “Both the instructors are master in their fields and they have a marvellous way of helping you see your work in a new light. Peter Krogh has his own special way of making everyone feel comfortable and valued.”

Tammy Gardner

Tammy Gardner

“Amazing quality and depth of knowledge of the lecturers,” said Tammy Gardener who attended the Pietermaritzburg training block. “Phenomenal practical learning opportunity. Good authentic networking opportunity.”

“I feel immensely grateful to have found a training course so appropriate to my needs,” said Cape Town participant Ed Suter.

Fati Moalusi

Fati Moalusi

“It was amazing for me to be taught by some of the world’s best tutors in the photography digital system,” said Mandla Mnyakama also from Cape Town.

“I have learned a lot of things that I overlooked as a photographer. The week was just empowering!” said Fati Moalusi who participated in the Johannesburg Digital Campus.

“Changed my life photographic-wise,” said Durban based Wade Howard. “I am self-taught and this has changed the way I will be doing things. Good networking too. Exciting!”

Tsvangirayi Mukwazhi

Tsvangirayi Mukwazhi

“It was a fully packed week filled with fun, highly educating seminars which opened up my mind to new ways of dealing with digital images and how to take care of them” said Zimbabwean photographer, Tsvangirayi Mukhwazi.

Rafs Mayet

Rafs Mayet

“It’s a great way to get on the digital highway, avoid becoming a dinosaur and get up to speed with experts in their fields,” said Durban based Rafs Mayet. “If you are serious about photography, then this is the best way to go.”

“It’s a must-attend for any serious photographer on the continent,” said Kenyan photographer, Antony Kaminju.

“It was a very fulfilling experience for me,” said Pretoria based Phil Magakoe. “I learnt a lot and was privileged to have met everyone, especially my African brothers form over our borders. I strongly feel that there will be positive outcomes that will bear much fruit.”

Antony Kaminju

Antony Kaminju

“A turning point!” said Kenyan photographer, Felix Masi.

The photographers are now in stage two, working on an assignment where they have to put into practice what they have learnt. Dominique Le Roux, Africa Media Online’s Media Manager was present at the Cape Town and Johannesburg Digital Campus’ and has been overseeing the assignment stage. “I was really impressed. There were so many people so eager to learn… Just like sponges, every one of them, soaking up as much of the knowledge and information available. Since then, as I’ve interacted and tried my best to partner with them as they work on their assignments, I’ve both despaired and celebrated as I’ve seen this new band of photographers getting to grips with both the science and the art of it all.”

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This project is supported by the European Union

4. Africa Media Online Launches Model-Released Multiple-Use Collection

Africa Media Online has again come up with a home-grown solution to the media market’s imaging needs. The company has launched the first of its multiple usage CDs: collections of images that can be used multiple times in multiple ways for an upfront, once-off fee.

The launch CD, in what will be a series of multiple use collections focussed on all things African, highlights Africans in the business environment. Called africa@the office, it showcases a variety of predominantly corporate business scenarios, from boardroom meetings, to interviews, desk and computer scenes, and of course the trials and jubilations so typical of the real business world – all portrayed by a truly African array of faces and cultural demographics.

While the concept of a CD of such images, traditionally referred to as ‘royalty-free’, is not a new one, the company has gone a step further than most: not only are all images model-released, but many of the models share in the proceeds from the sale of the images. And of course all the photographers involved are Africans too. This philosophy of sustainable profit sharing is very much at the heart of what Africa Media Online as an organization is all about.

“A balanced view of Africa and her rich heritage cannot exist unless we as Africans are able to consistently tell Africa’s story from our perspective in the global information economy,” explains David Larsen, Director of Africa Media Online.

The africa@the office CD, like all those that will be launched in the coming months, is available as an actual physical CD, or as a downloadable collection from Africa Media Online’s image library at http://www.africanpictures.net, and includes high, medium and low-resolution versions of each image. The retail price for the entire CD/Collection of 80 images is R3 490 (excl VAT), while those buyers wanting only a specific image can buy it on a royalty-free licence based on size:
High res (+A4/22-36MB@300dpi): R1450 (excl VAT)
Medium res (A5/10MB@300dpi): R650 (excl VAT)
Low res (A7/2MB@72dpi): R400 (excl VAT)

To view the images, go to www.africanpictures.net.
To order contact: pictures@africanpictures.net.

5. Photographers Gatherings in Cape Town and Johannesburg

Africa Media Online took the opportunity afforded by the Digital Campus to touch base with a number of its contributing photographers in the Western Cape and Gauteng areas. In Cape Town photographers gathered at on Tuesday August 12 at the authentic Ethiopian restaurant “Addis In Cape ” in Church Street, central Cape Town. In Johannesburg photographers gathered at the iconic “Gramadoelas” restaurant in Newtown for healthy debate around issues of copyright and model releases over wonderful South African and African cuisine.

TJ Lemon (left) and Greg and Leonie Marinovich (right) engage in vigorous debate at the first gathering of africanpictures.net contributing photographers held in Johannesburg

“I really felt that we all walked in the door as business colleagues and clients and walked out as friends,” said Dominique Le Roux, Africa Media Online’s Media Manager who organised the events. “How great to get to know each other in an informal and relaxed way. We might have known about each other beforehand; we might have known each others’ work well; now we got to know each other’s hearts. I loved seeing the passion, hearing the frustrations, and sharing in the common commitment to go forward proudly telling African’s story – and making money while doing so!”

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Above: Dusk over Cape Town with the mountain on the left and Lion’s Head on the right. The 72nd South African Museums Association national conference was held in the last week of June at a venue close to this view.

Welcome to the sixth edition of the Digital Picture Library Manager blog designed to add value to the management of your picture and media collections as well as to keep you up to date with developments at Africa Media Online and the world of digital imaging that could be of benefit you.
_________________________________________________________________________________
URGENT MATTERS:
A. The early bird offer for this year’s Digital Masterclasses ends Monday June 30. Further information and booking forms can be found at this link: Digital Campus
B. The closing date for applications for the African Photo Entrepreneur Programme is Monday June 30. Further information can be found at this link: African Photo Entrepreneur Programme
C. The first intake for 70% funding for digitisation under the African Image Pipeline project ends Monday June 30.For further information please visit this link: Grant Funding for Digitisation of Image Collections
_________________________________________________________________________________

In this edition:

1. World Expert in Digital Asset Management to Teach at August Masterclasses
2. Sacred and Secret: Pictures of the 72nd South African Museum’s Association national conference
3. Eminent International Panel of Judges for the African Photo Entrepreneur Programme
4. Dominique Le Roux, Media Manager
5. The Tragedy of Xenophobia in South Africa

1. World Expert in Digital Asset Management to Teach at August Masterclasses

World authority on digital asset management, Peter Krogh, will be teaching in South Africa for the first time in August

Celebrated author of The DAM Book (The Digital Asset Management Book), Peter Krogh, has confirmed his availability for Africa Media Online’s annual digital masterclasses in August. Peter will be in South Africa to conduct a series of masterclasses in Cape Town, Johannesburg and Pietermaritzburg as part of Africa Media Online’s Digital Campus.

Not a stranger to the southern hemisphere, last year Peter conducted workshops in conjunction with the Australian Institute of Professional Photographers and Nikon Australia in Sydney, Melbourne, Brisbane and Auckland. This will, however, be the first time he will be presenting in South Africa. An alpha tester for Adobe Photoshop, last year alone Peter conducted masterclasses in conjunction with the Professional Photographers of America (PPA), the North American Nature Photography Association (NANPA), the American Society of Media Photographers (ASMP) and UK-based Association of Photographers Limited (AOP), and gave seminars at Imaging USA, the National Association of Professional Photographers’ Photoshop World, PDN’s PhotoPlus Expo and the Adobe Photoshop Lightroom Adventure.

While Peter has worked with a lot of photographic organisations, his courses are highly applicable for anyone working professionally with large numbers of image files, such as archives, graphic designers, picture libraries etc. The workshops will demystify DAM and reveal practical techniques for securing the long term storage of digital images.

“Peter is the ideal companion to Graeme Cookson,” said Africa Media Online’s director, David Larsen. “We have brought Graeme out for the past three years and his courses have been extremely well received. Graeme is brilliant at helping imaging professionals really understand what we are doing in terms of ensuring the quality of individual image files in a productive manner. I wanted to find someone who would compliment Graeme in teaching best practice in digital workflow from camera or scanner to end user. Where Graeme’s strength lies in dealing with the quality of the image files themselves, I wanted someone who specialises in the efficiency of managing hundreds, if not thousands, of image files. I met Peter at CEPIC in Florence last year at the first ever international photo metadata conference and we got chatting. I could not have found anyone better than Peter Krogh, and it is a great privilege to have him on board,” Larsen said.

“Peters knowledge on the subject is the best in the world. When it comes to DAM for photographers, Peter Krogh literally wrote the book on the subject”, said Australian professional photographer and DAM consultant Robert Edwards.

The 10% early bird discount ends on Monday June 30

Find out more and download the order form

2. Sacred and Secret Heritage: Pictures of the 72nd South African Museum’s Association national conference

South African Museums Association (SAMA) delegate, Suzette Farmer from the Simon’s Town Museum, studies a rock art display at the Iziko South African Museum during the opening event of the SAMA national conference 2008.

The South African Museums Association held its 72nd National Conference at the Stellenbosch University Business School in Cape Town in late June 2008. The conference theme was “Sacred and Secret Heritage,” and it engendered some lively debate. In his brief talk at the conference, Africa Media Online’s director, David Larsen, summed up the conference from his perspective saying, “the central question that seems to be emerging at this conference is, ‘Who has the right to represent our heritage – to tell our story?” It is the quality of empathy that, if not giving the right, then at least opens the doors to investigate sacred heritage practices and represent those practices through research findings.

Pictures of the conference will be available shortly or you can email David Larsen at editor@africamediaonline.com.

3. Eminent International Panel of Judges for the African Photo Entrepreneur Programme

Renowned photojournalist, Louise Gubb, is one of the judges deciding on suitable candidates for the African Photo Entrepreneur Programme. Louise covered South Africa’s turbulent struggle for democracy for most of the leading news magazines including Time, Newsweek, Stern and Paris Match. She has judged a number of the annual Fuji Press photography competitions in South Africa.

The African Photo Entrepreneur Programme has been given significant impetus with prominent African and international photographers and editors lending their support by sitting on the judging panel. The panel will assess the submissions of possible candidates and select the most promising for inclusion in the programme. Confirmed judges are: Julia Heinemann, Gallery Portfolio Director of LUMAS; Khanyi Dhlomo, Editor of Destiny magazine; former World Press Photo jury member and AFP Chief Photographer in South Africa, Alexander Joe; head of Getty Images multimedia, Rick Gershon; Karine Aigner, Senior Photo Editor of National Geographic Kids Magazine; and acclaimed South African photographer, Louise Gubb.

This year’s programme is aimed at encouraging historically disadvantaged and women photographers to succeed as photo entrepreneurs, granting skills, market savvy and route to markets for groups that are currently underrepresented in this sector. Successful applicants will have sponsored access to the Digital Campus and further training modules.

Applications for the African Photo Entrepreneur Programme close at the end of the day on Monday June 30

Find out more see if you qualify and make a submission to be included.

4. Dominique Le Roux, Media Manager

Dominique Le Roux, Media Manager for Africa Media Online

The Africa Media Online team has felt the impact of Dominique Le Roux over the past six months. Dominique joined the team in January and has brought 17 years of media experience – as a writer, magazine editor, book publisher, web content manager, television presenter and photographic agent. As Media Manager, Dominique brings an eye for markets and clear strategy on how to access and make the most of them. Dominique is based in Cape Town but travels a fair amount to the other centres. She recently represented Africa Media Online at the Tourism Indaba and at the International Media Forum SA. Email Dominique on dominique@africamediaonline.com.

5. The Tragedy of Xenophobia in South Africa

South Africa Why are You Doing this to Us: More than a month after being displaced by xenophobic violence, refugees camp on the pavement in central Cape Town with little more than plastic bags to keep out the Cape winter chill. Ironically the place where they have taken up residence is across the street from the District Six Museum, a landmark of the infamous District Six forced removals of the 1960s. These refugees have had to endure the same kind of brutality at the hands of many who once endured such hardships themselves under apartheid. Many of these refugees have survived war in their own nations and had come to South Africa to find a place of peace and prosperity. That dream was shattered last month with the outbreak of xenophobic violence.

When my youngest daughter was presented to our community early last year, blessings were spoken over her in eleven languages including, Zulu (South Africa), Shona (Zimbabwe), Xhosa (South Africa), Kiswahili (East and Central Africa), Kirundi (Burundi), Ndebele (Zimbabwe), English (International), French (International) Afrikaans (South Africa), and Lingala (Congo DRC). For me this was a wonderful picture of the richness of post-apartheid South Africa, which not only emerged out of the cultural prison of apartheid, but has been reintegrated into the African continental community.

There is no doubt that the xenophobic violence which swept South Africa last month was a shocking denigration of all that the new South Africa, the miracle nation stands for. How did our people come to turn on those very nations that gave up so much on our behalf in assisting us in our struggle for liberation? How is it that we have moved so far from the bright vision of a united Africa provided for us by Nkruma and Nyerere, Luthuli and Mandela? On June 2, 2008 I wrote the following to those who receive our africanpictures.net newsletter:

“The past few weeks have witnessed a great tragedy in the history of South Africa. Once again the grotesque spectre of apartheid has emerged from the shadows to haunt our public life. Its target may be different, but its stench is the same. It is the same stale justification of why one group needs to hoard opportunity and resources at the expense of another, the same bigotry that forcefully removes people from their homes and has women and children cowering in places of safety, has bodies burning in the streets, has lives scarred for decades by reckless violence, the same discrimination that treats those different from oneself as sub-human, as somehow not worthy of the privileges we demand for ourselves. The lies are the same, the justifications are familiar, the fear and anguish are alike. As too are the vulgar names the powerful call the powerless!

In a matter of days nightmarish scenes we had fought so hard to be rid of have erupted in our midst again. How did we come to this? How in the miracle nation, among Tutu’s “rainbow people of God,” did this come to pass? Who is at fault is not important. What is required is that we take responsibility, responsibility to protect the weak, guard the vulnerable, care for the wounded, speak courageously for truth even when it is unpopular or dangerous. We’ve been here before. We know how to do this. Let’s do it!”

Some weeks after those tragic events many are doing it. Government and civil society organisations have taken a stand. We want to be telling those stories in the months to come. Yet we are aware so much trust has been lost, so much suspicion born. And we are also aware of the issues that led to this explosion of violence – a growing gap between the haves and have nots, poor education, an economy that is unable to absorb the abundance of unskilled labour, a culture of fatherlessness, and a lack of service delivery. And all of this is against a backdrop of the active nurturing of a culture of consumerism, a highly visible, extremely wealthy, middle class, and well organised criminal syndicates. Add to this toxic mix of hopelessness, millions of Zimbabweans searching for a bearable existence, and millions of other entrepreneurial immigrants who appear to be succeeding where poor South Africans are failing – and one can quickly see how the explosion came about.

These events in our nation bring us face to face with some hard realities that our society faces – some brutal facts about the distance we have really come in walking free from the the identities thrust upon us by apartheid. We realise we are not as far along as we expected and the tentacles of racism still reach into our hearts.

More than anything we are needing in this hour clear moral leadership that the likes of Mandela, Tutu and Luthuli provided in their generation – leaders that can help us take ownership of our common complicity in the lies, and our common responsibility in laying hold of the dream that those great leaders set before us. I see this happening all over this nation, from earnest debates among colleagues in the South African Museums Association conference to conversations with journalists and photographers. Should such leaders arise, then perhaps something worthwhile may emerge from this crucible experience.

Mayibuye iAfrika!

David Larsen
Director – Africa Media Online

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